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Modern concertos

Violin Concerto in D Major, Op. 224 

Mana Zucca (1885-1981)

About the Composer: Mana Zucca, initially named Augusta Zuckermann, was an American composer, pianist, and vocalist. She began her musical studies in New York as a piano student of Alexander Lambert, but by the age of ten she claims to have been giving frequent performances in her own right. Zucca traveled and performed throughout the United States and Europe, but eventually settled in Miami, Florida after her marriage. This is where the majority of her expansive

catalog of compositions were written and continues to be housed.

Year Published: 1955

Dedicatee: Joan Field

Premiere: Joan Field with the American Symphony in 1955

Length: Three movements, 28 minutes

​Copyright Status: Still under copyright- piano reduction available through interlibrary loan

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Florence Price (1887-1953)

About the Composer: Florence Price was the most prominent African American female composer of the early twentieth century. She received international acclaim and attention in 1933 when the Chicago Symphony premiered her Symphony in E Minor under the direction of Frederick Stock. It was the first time a large-scale composition by an African American woman had ever been performed by a major orchestra. Price’s reputation began to fade after her sudden death in 1952, but was revitalized in 2009 when several of her papers and manuscripts were uncovered in her abandoned Chicago home.

Violin Concerto No. 1 in D Major

Status: Recovered in 2009

Length: Three movements, 30 minutes

Instrumentation: 2.2.2.2 / 4.2.0.0 / timp / vn solo / str

​Copyright Status: Protected by G. Schirmer Inc.

Violin Concerto No. 2

Year Composed: 1952

Status: Recovered in 2009

Length: One movement, 14 minutes

Instrumentation: 2.2+ engl.2.2 / 4.2.3.1 / timp+perc / cel / vn solo / harp / str

​Copyright Status: Protected by G. Schirmer Inc.

Ina Boyle (1889-1967)

About the Composer: Ina Boyle was an Irish violinist and composer who is primarily remembered as the only Irish composer to write a symphony between the years of 1911 and 1959. She began her music
education by studying violin with her father and soon moved onto studying music theory and harmony with prominent Irish composers from the time. She composed her first piece at the age of fourteen and was winning major Irish composition competitions by the age of twenty-four. She began to study
composition with Ralph Vaughn Williams in the 1920s and regularly made the long and arduous journey to London in order to work with him. Their work was eventually interrupted by the onset of World War II, which kept Boyle isolated at her family home in Enniskerry where she cared for her ailing parents and sister. Boyle continued to be relatively isolated by these circumstances for the remainder of her life, but she never stopped promoting and performing her work. 

Phantasy for Violin and Chamber Orchestra

Year Composed: 1926

Length: One movement, 7 minutes

Instrumentation: 1.1.1.1 / 2.0.0.0 / timp / vn solo / harp / str

​Copyright Status: Protected by Contemporary Music Centre of Ireland

Concerto for Violin and Orchestra

Year Composed: 1932-1933, rev. 1935

Dedicatee: Boyle Composed this piece in memory of her mother and includes a carol she gifted to her mother, "All Souls Flowers," in the third movement.

Length: Three movements (played attacca), 17 minutes

Instrumentation: 2.2.2.2 / 2.1.3.0 / timp / vn solo / str

​Copyright Status: Protected by Contemporary Music Centre of Ireland

Concerto for Violin and Orchestra

Germaine Tailleferre (1892-1983)

About the Composer: Germaine Tailleferre (1892-1983) was a French composer and pianist, as well as the only woman included in Les Six. Her early career was bolstered by the support of Erik Satie, who christened her his “musical daughter” after hearing one of her early piano compositions. She was mentored by major French composers like Maurice Ravel and Gabriel Fauré in her early career, which is considered to be her best. However, she was able to maintain a major position in French musical society despite financial and marital hardships throughout her life.

Year Published: 1936

Dedicatee: Yvonne Astruc

Premiere: November 22nd, 1936 with soloist Yvonne Astruc and the Orchestre Symphonique de Paris under the direction of Pierre Montreux

Status: Reworked into Tailleferre's Violin Sonata No. 2

Concert Piece for Violin and Orchestra

Henriёtte Bosmans (1895-1952)

About the Composer: Henriёtte Bosmans was a prominent Dutch composer, concert pianist, and music critic. She began her music education by studying piano with her mother, Sara Bosman-Benedicts, who was a prominent piano pedagogue at the Amsterdam Conservatory. She then went on to study harmony, theory, and counterpoint in the early 1920s, which laid the groundwork for her future compositions. Her career as a concert pianist began to blossom around the same time, and by the 1930s she was performing regularly with the Concertgebouw Orchestra. Many of her compositions during this time were premiered by members of the ensemble, including her Concert Piece for Violin and Orchestra. Composed in June of 1934, Bosmans dedicated the piece to her fiancé, violinist Francis Koene, who was set to give the premiere before he tragically passed away in January of the following year. Louis Zimmerman, Koene's teacher and concertmaster of the Concertgebouw, premiered the piece in his place on October 31st, 1935 with the Concertgebouw Orchestra under the direction of Willem Mengelberg. Bosmans refused to compose for many years after the death of her fiancé, only returning to the art form out of necessity when the Nazi-occupied Dutch government banned her performances due to her half-Jewish ancestry. After the war, Bosmans experienced an artistic Renaissance that resulted in the creation of several song cycles along with a series of public performances. This work was eventually interrupted in 1950, when it was discovered that the stomach pain that plagued Bosmans was actually cancer. She continued to perform and compose until she collapsed and died on July 2nd, 1952 at the age of fifty-six. 

Year Composed: 1934

Dedicatee: Francis Koene, Bosmans's fiance 

Premiere: Louis Zimmermann with Willem Mengleberg directing the Concertgebouw Orchestra in October of 1935

Instrumentation: 2.2.2+bcl.2 / 4.2.2.0 / timp+perc / vn solo / str

​Copyright Status: Protected by Donemus Publishing

Margaret Sutherland (1897-1984)

About the Composer: Margaret Sutherland was an Australian pianist and composer. While a successful musician in her own right, she is best known as the pioneer of new music in Australia. Her efforts to platform fellow Australian composers and connect them to her professional connections in Europe helped bring the attention of the international music community to the country for the first time. She was also instrumental in the development of several Australian music organizations and facilities, including the Victorian Arts Center.

Year Composed: 1958

Length: 8 minutes

Instrumentation: 2.2.2.2 / 4.2.3.0 / timp+perc / pn / vn solo / str

​Copyright Status: Protected by the Australian Music Centre

Fantasy for Violin and Orchestra

Concerto for Violin and Orchestra

Year Composed: 1960

Dedicatee: Thomas Matthews

Premiere: Thomas Matthews with the Victoria Symphony Orchestra conducted by George Tzipine on October 11th, 1961

Length: 24 minutes

Instrumentation: 2+picc.2.2+bcl.2+cb / 4.2.3.0 / timp+perc / vn solo/ str

​Copyright Status: Protected by the Australian Music Centre

S.C. Eckhardt-Gramatté (1899-1974)

About the Composer: Sophia-Carmen Eckhardt-Gramatté was a Russian-born violinist, pianist, composer, and teacher, who is primarily remembered for her contributions to the Canadian music community. After a tumultuous early life, she began her musical studies in Paris at the age of five under the direction of her mother, at which time she studies piano and composition. She was accepted into the Paris Conservatoire just four years later, at which time she began her studies of the instrument. By the age of eleven, she was giving recitals as both a pianist and violinist. She spent the next few years moving throughout Europe with her mother and sister, all the while performing and composing. She married the expressionist painter Walter Gramatté, and moved with him to Barcelona where she was mentored by famed cellist Pablo Casals. Her husband passed away in 1929, and Eckhardt-Gramatté gave up her performance career just a year later in favor of continuing her education as a composer. She remarried in 1934 to historian Ferdinand Eckhardt, at which time she adopted her professional name of "S.C. Eckhardt-Gramatté." Eckhardt's career led the couple to move to Winnipeg in 1953, where Eckhardt-Gramatté became quite popular and received several commissions. She passed away in 1974 after a terrible fall while on a trip to Europe.

Concerto for Violin

Origin: Adapted from her Concerto for Solo Violin (1925) to include orchestra

Year Composed: 1929

Performances: Eckhardt-Gramatté performed this during her American tour from 1929 to 1930, first with the Philadelphia Orchestra under Stokowski and then the Chicago Symphony Orchestra under Frederick Stock

Copyright Status: Unpublished; Original score housed by the Canadian Music Centre

Concerto for Violin, Concert Winds, and Orchestra

Year Composed: 1951

Premiere: International Society of Contemporary Music Festival, 1952

Length: 28 min.

Instrumentation: 3.3.3.3 / 4.3.3.1 / timp+perc / hrp / vn solo / str 

Copyright Status: Unpublished; Originals housed by the Canadian Music Centre

Claude Arrieu (1903-1990)

About the Composer: Claude Arrieu was a French composer, teacher, and radio producer. Her musical output varied greatly, touching a plethora of different genres. She was also one of the first composers to embrace electro-acoustic music, which sparked a life-long collaboration with fellow composer Pierre Schaeffer. 

Violin Concerto No. 1 in E Minor

Year Published: 1938

Length: 19 min

Movements: Allegro - Theme et variation - Finale

​Copyright Status: Reduction published by Amphion

Violin Concerto No. 2 in D Minor

Year Published: 1949

Length: 22 min

Recorded by: Jeanne Gautier and the Orchestre National de France, 1956

​Copyright Status: Reduction published by Éditions Heugel

Violin Concerto

Grace Williams (1906-1977)

About the Composer: Grace Williams was a Welsh pianist and composer who  studied with several major figures of the period, including Ralph Vaughn Williams and Gordon Jacob. Williams gradually made a name for herself as a freelance composer and worked closely with the BBC in her early career, but she often felt stifled by the musical limitations that often came with these jobs. She began to transition toward more abstract and experimental writing in the 1940s, which was made especially evident in her larger works.

Year Composed: 1950

Dedicatee: Granville Jones (premiered the piece)

Length: 25 min

Movements: Liricamente - Andante sostenuto - Allegro

​Copyright Status: Protected by Oriana Publications

Serenata Concertante for Violin and Orchestra

Elizabeth Maconchy (1907-1994)

About the Composer: Elizabeth Maconchy was a British pianist and composer who studied at the Royal College of Music with Ralph Vaughn Williams in her early life, but she was far more interested in the modernism of Bartók and Janáček than the pastoralism of her teacher. This led her to complete her education under the direction of Karel Boleslav Jirák in Prague, where she was inspired by the culture and concept of music as an intellectual art form. Maconchy’s unique compositional style made her highly sought after in post-war Great Britain and she was recognized as a leader in the field throughout her life.

Year Published: 1962

Length: 23 min

Movements: Lento, Andante con moto, Allegro ritmico - Scherzo with Trio: Allegro molto - Andante con moto - Allegro vigoroso, Andante tranquillo

Instrumentation: 2+picc.2+engl.2+bcl. 2 / 4.3.3.1 / timp+perc / hrp / vn solo / str 

​Copyright Status: Chester Music Limited

Concerto for Violin and Orchestra 

Guirne Creith (1907-1996)

About the Composer: Guirne Creith, born Gladys Mary Cohen, was an English pianist and composer who primarily worked during the 1920s and 1930s. She performed and composed relentlessly during this time and was known to be quite intense in her pursuit of premieres for her pieces. Despite her early intensity, she concealed her successes later in life to the point that her children were surprised to find the manuscripts of her compositions after her death in 1996.

Year Composed: 1932-1934

Dedicatee: Albert Sammons

Premiere: Live broadcast of soloist Albert Sammons with the BBC Symphony Orchestra under the baton of Constant Lambert on May 19th, 1936

Status: Manuscript recovered in 1996; remains unpublished

Concerto for Violin and String Orchestra

Imogen Holst (1907-1984)

About the Composer: Imogen Holst was an English composer, conductor, educator, and author, as well as the daughter of Gustav Holst. She spent her early years studying at the Royal College of Music, where she worked with George Dyson and Gordon Jacob, constantly struggling to develop an artistic voice that would set her apart from her famous father. Her early works seemed to emulate the compositional style of her father, but this drastically changed in the 1940s as Holst began to experiment with quartal harmonies and polymodality.

Year Composed: 1935

Inspiration: Traditional Irish folk songs in "The Petrie Collection of the Ancient Music of Ireland" by George Petrie

Premiere: November 15th, 1935 during the Royal College of Music’s Patron’s Fund with soloist Elsie Avril and the London Symphony Orchestra under the baton of Holst herself

Length: 14 min

Movements: Allegro - Andante molto moderato - Vivace

​Copyright Status: Protected by Faber Music

Concerto for Violin and Orchestra

Jean Coulthard (1908-2000)

About the Composer: Jean Coulthard was a Canadian composer who maintained an active career in both North America and Europe. She worked with several prominent composers throughout her career, including Ralph Vaughn Williams, Aaron Copland, Darius Milhaud, Arnold Schoenberg, and Béla Bartók, maintaining a productive compositional career through both World Wars and the Great Depression. In 1946, Coulthard settled in Vancouver with her family, and by 1947 she began a twenty-six-year tenure teaching at the University of British Columbia.

Year Published: 1959

Premiere: Thomas Rolston and the Vancouver Symphony, under the direction of Irwin Hoffman in 1959

Length: 41 min.

Movements: Espressivo simplice - Lento ma non troppo - Allegro ma non troppo

Instrumentation: 2.2.2.2 / 4.2.3.1 / timp+perc / vn solo / str

​Copyright Status: Protected by the Canadian Music Centre

Grażyna Bacewicz (1909-1969)

About the Composer: Grażyna Bacewicz was perhaps the most prominent Polish violinist and composer of the twentieth century. Her musical talent was evident even as a child; she was regularly giving recitals by the age of seven and composing by the age of eleven. Her composition and violin teachers were some of the finest of the time, with the former category including Karol Szymanowski and Nadia Boulanger and the latter including Andre Touret and Carl Flesch. In 1936, Bacewicz accepted a position with the Polish Radio Orchestra, which inspired and premiered many of her larger works. Bacewicz suddenly died in 1969 after a long and successful career and her pieces began to fall out of the popular consciousness, partially due to the fact that she had never partnered with a publishing house outside of Poland. Great efforts were made in the following decades to circulate her music and she is now recognized as one of the great composers of the early twentieth century. 

Violin Concerto No. 1

Year Composed: 1937

Premiere: Performed by the composer with the Polish Radio Orchestra under the baton of Grzegorz Fitelberg in 1938

Length: 14 min

Movements: Allegro - Andante - Vivace

Instrumentation: 1.1.2.2 / 2.2.1.0 / perc/ hp / vn solo / str

​Copyright Status: Unpublished but circulated posthumously

Violin Concerto No. 2

Year Composed: 1945

Premiere: Performed by the composer with the Lodz Philharmonic Orchestra under the direction of Tomasz Kiesewetter on October 18th, 1946

Length: 20 min

Movements: Allegro ma non troppo - Andante - Vivo

Instrumentation: 2.2.3.2 / 4.3.3.1 / perc / vn solo / str

​Copyright Status: Unpublished but circulated posthumously

Violin Concerto No. 3

Year Composed: 1948

Premiere: Performed by the composer with the Baltic Philharmonic under the direction of Stefan Sledinski on March 4th, 1949

Length: 24 min

Movements: Allegro molto moderato - Andante - Vivo

Instrumentation: 3.3.2.2 / 4.3.3.1 / perc / hp / vn solo / str

​Copyright Status: Published by PWM

Violin Concerto No. 4

Year Composed: 1951

Premiere: Performed by the composer with the Krakow Philharmonic Orchestra under the baton of Fernand Quinet in February, 1952

Length: 25 min

Movements: Allegro non troppo - Andante tranquillo - Vivace

Instrumentation: 3.3.2.2 / 4.3.3.1 / perc / vn solo / str

​Copyright Status: Published by PWM in 1953

Violin Concerto No. 5

Year Composed: 1954

Premiere: Wanda Wilkomirska played the piece with the Polish National Philharmonic Orchestra under the direction of Witold Rowicki on January 17th, 1955

Length: 22 min

Movements: Deciso - Andante - Vivo

Instrumentation: 2.2.2.2 / 4.3.3.1 / perc / hp / vn solo / str

​Copyright Status: Published by PWM in 1956

Violin Concerto No. 6

Year Composed: 1957

Length: 22 min

Movements: Allegro leggiero - Largo - Giocoso

Instrumentation: 2.2.3.2 / 4.2.2.1 / perc / hp / cel / vn solo / str

​Copyright Status: Unpublished- manuscript available for viewing at the National Library in Warsaw

Violin Concerto No. 7

Year Composed: 1965

Development: Created from musical themes initially intended for a viola concerto that would have been dedicated to Stefan Kamasa

Premiere: January 14th, 1966 with soloist Augustin Leon Ara and the Belgian Radio and Television Orchestra conducted by Daniel Sternefeld

Length: 22 min

Movements: Tempo mutabile - Largo - Allegro

Instrumentation: 3.2.2.2 / 4.3.3.0 / perc / 2 hp / cel / vn solo / str

​Copyright Status: Published in 1967

Concerto for Violin and Small Orchestra

Barbara Pentland (1912-2000)

About the Composer: Barbara Pentland was a Canadian pianist and composer during a time when there were no women composers in Canada. Despite this, she eventually came to work with several major composers at the time, including Aaron Copland and Paul Hindemith. She also worked closely with some of the most prominent performers of the twentieth century. Perhaps the most prominent of these was the Canadian pianist Glenn Gould, who recorded her work Ombres (1964). The piece was initially cut from the album but was rediscovered and released twenty-five years later. Pentland became the first composer to be inducted into the Order of British Columbia and is still celebrated throughout Canada.

Year Composed: 1942

Premiered: 1945

Length: 17 min

Movements: Moderato - Vivace - Andante

Instrumentation: Two clarinets, two horns, solo violin, and strings

​Copyright Status: Unpublished- manuscript protected by the Canadian Music Centre

Concerto for Violin and Orchestra

Violet Archer (1913-2000)

About the Composer: Violet Archer was a Canadian multi-instrumentalist, teacher, and composer. The child of Italian immigrants, she was born Violet Balestreri, but her entire family changed their surname to “Archer” in 1940, the same year she would make her debut as an orchestral composer. She took great inspiration from her mentors, Béla Bartók and Paul Hindemith. The former inspired her to experiment with modalities and folk music, while the latter helped her expand her harmonic language with the use of serialism and parallelism. Archer went on to compose and teach at several universities throughout North America before settling in Alberta, Canada.

Year Published: 1959

Length: 30 min

Movements: Allegro ma non troppo-Energico - Largo - Allegro con brio

Instrumentation: 2.2.2.2 / 2.2.2.0 / timp+perc / vn solo / str

​Copyright Status: Protected by the Canadian Music Centre

Violin Concerto, LK 241

Lucrecia Roces Kasilag (1918-2008)

About the Composer: Lucrecia Roces Kasilag was a Filipina pianist, composer, and arts administrator who is primarily remembered for her leadership in developing the music community of her native country throughout the twentieth century. She studied at the Philippine Women’s University, St, Scholastica’s College, and the Eastman School of Music. Her compositional style blended neoclassicism and Asian influences, and she often used traditional instruments in her compositions. Kasilag did not consider herself to be a professional composer, yet she managed to compose hundreds of pieces over the course of her life. This is especially impressive when one considers the sheer number of administrative positions Kasilag also held over the course of her career. To name just a few of her administrative accomplishments, she was dean of the School of Music and Fine Arts at Pacific Western University, chaired the League of Filipino Composers, and was the founding president and artistic director of the Cultural Center of the Philippines. Kasilag’s contributions to the development of music, both as a composer and administrator, continue to be internationally celebrated to this day.

Year Composed: 1983

First International Performance: Moscow International Festival, 1984- Grigory Zhislin performed the work with the Moscow State Symphony Orchestra conducted by Francisco Feliciano

Length: 19 min

Movements: Moderato - Adagio - Allegro

​Copyright Status: Unpublished 

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Violin Concerto in D Minor (Serenade) 

Ester Mägi (1922-2021)

About the Composer: Ester Mägi was an Estonian musician, teacher, and composer who was notorious for her constantly evolving compositional style. After graduating from Tallinn State Conservatory and Moscow Conservatory in the 1950s, her compositions leaned toward the Russian traditions of the Romantic period. This evolved throughout the 1960s, first with the introduction of Estonian folk music and modal experimentation, then with the introduction of polytonality and more complex rhythmic interplay. Throughout this transformation, her innate sense of form, texture, and motivic development remained grounded and intact. 

Year Composed: 1956

Pemiere: April 24th, 1959 by violinist Endel Lippus and the Estonian Radio Symphony under the direction of Roman Matsov, at the Estonia Concert Hall in Tallinn

Length: 23 min

Movements: Prelude-Moderato - Serenade- Allegretto - Recitative-Moderato - Finale-Allegro molto

Instrumentation: 2.2.2.2 / 4.0.0.1 / timp+perc / pn+cel / hp / vn solo / str

​Copyright Status: Unpublished; manuscript available for viewing through the Estonian Music Information Centre

Concerto for Violin and Orchestra

Julia Perry (1924-1979)

About the Composer: Julia Perry was an American composer who is primarily remembered as the  first African-American female composer to have an orchestral piece performed by the New York Philharmonic. She studied composition with Luigi Dallapiccola and Nadia Boulanger in her early life and quickly established a career in Europe by conducting her own works on tour with the Vienna Philharmonic and the BBC Orchestra. Her career was tragically cut short by a stroke in the 1970s that eventually led to her untimely death. Her expansive catalog of pieces eventually fell to disrepair after her death and many of her compositions have been lost.

Year Composed: 1960-1968

Length: 20 min

Movements: Divided into seventeen sections intended to be played without pause

Instrumentation: 2+picc.2.2.2.tr sax / 2.2.2.0 / timp+perc / pn / hp / vn solo / str

​Copyright Status: Posthumously published by Carl Fischer

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Carmen Petra-Basacopol (1926-2023)

About the Composer: Carmen Petra-Basacopol was a Romanian pianist, composer, and educator who was known for her rich and varied output, with genres spanning from opera to chamber music. Like many of her Romanian contemporaries, she was heavily influenced by the work of George Enescu, the foremost Romanian musician and composer of the twentieth century. She studied at Bucharest University of Philosophy before changing gears to focus solely on music, at which point she studied composition at the Bucharest Conservatory and Sorbonne University in France. She returned to Romania and taught theory and composition at Bucharest Conservatory before retiring in 2003 to focus solely on composition.

Violin Concerto No. 1 in G Minor, Op. 21

Year Published: 1963

Length: 14 min

Movements: Allegro moderato ma con spirito - Adagio espressivo - Allegro con brio

​Copyright Status: Unpublished

Violin Concerto No. 2, Op. 25

Year Published: 1965

Length: 24 min

​Copyright Status: Unpublished

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Concerto for Violin

Emma Lou Diemer (1927-2024)

About the Composer: Emma Lou Diemer was an American pianist, organist, and composer who began her musical career early in life, becoming a church organist at the age of thirteen. She studied composition at both Yale and Eastman before continuing her studies in Brussels on a Fulbright Scholarship. She moved from the midwest to Santa Barbara, California in 1971 in order to teach theory and composition at the University of California, Santa Barbara and was a key leader in the development of their electronic music program. 

Year Composed: 2012

Dedicatee: Philip Ficsor

Premiere: Ficsor premiered the piece on October 19th, 2012 with the Westmont College Orchestra under Michael Shasberger in Hahn Hall at the Music Academy of the West in Santa Barbara

​Copyright Status: Published by Lauren Keiser Music 

Concerto for Violin, Strings, and Timpani

Zlata Tkach (1928-2006)

About the Composer: Zlata Tkach was a Moldavian musicologist and violinist who held the distinction of being the first professional woman composer from Moldova. She boasted a catalog of roughly eight hundred compositions, six hundred of which have been published internationally. Despite her future success, her career as a composer did not start on auspicious grounds. She composed her first work, Sailors, while staying in an orphanage in Drohobych, Ukraine after being separated from her family as they fled the chaos of World War II. She was unable to reunite with her family until 1943, at which point she returned to her hometown of Chişinău. She formalized her education by attending the State Conservatory in Chişinău and was eventually granted a teaching position at the same institution that she maintained until her passing in 2006.

Year Published: 1971

First Recording: July 17th, 1976 by violinist Oleh Krysa and the USSR State Radio Orchestra, conducted by Boris Demchenko

Length: 22 min

Movements: Tempo rubato-Allegro - Sostenuto funebre - Allegro vivace

Instrumentation: Two oboes, two horns, and strings

​Copyright Status: Original manuscripts curated by the Zlata Tkach Official Resource Center, run by Alexander Timofeev

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Nancy Van de Vate (1930-2023)

Violin Concerto No. 1

About the Composer: Nancy Van de Vate was an internationally renowned American violinist, pianist, teacher, and composer. She is most famous for founding the League of Women Composers in 1975, in which she served as league chair for seven years. She taught at various universities throughout North America before spending the rest of her life working internationally. She first spent time in Indonesia and was greatly influenced by the gamelan music she heard there. She then moved on to Vienna, where she and her family remained for the rest of her life. Her compositions are considered to be highly emotional while employing highly modern compositional methods, including the use of tone-clusters, serialism, and modality.

Year Composed: 1986

Length: 25

Instrumentation: 2.2.2.2 / 4.2.2.1 / timp+perc / pno / hp / vn solo / str

​Copyright Status: Protected by the American Composers Alliance

Adagio and Rondo for Violin and String Orchestra 

Year Composed: 1986

Length: 10 min

​Copyright Status: Protected by the American Composers Alliance

Violin Concerto No. 2

Year Composed: 1986

Length: 16 min

Instrumentation: 3.3.3.3 / 4.3.3.1 / perc / hp / pn+cel / vn solo / str

​Copyright Status: Protected by the American Composers Alliance

Sheet Music

Mira Ceti 

Hellgart Mahler (1931-2023)

About the Composer: Hellgart Mahler was an Austrian pianist and composer who led an incredibly private life. The great-niece of Gustav Mahler, she was exposed to music at an early age and began piano lessons as a young child until her entire family was forced to flee Austria for England just shortly before the beginning of World War II. They struggled to find financial stability in this new country, which limited Mahler’s access to consistent music education.  For this reason, she was considered to be a self-taught composer and defied any traditional musical labels. Mahler moved to Australia with her husband in the 1970s and has remained there ever since.

Year Composed: 1973

Length: 30 min

Instrumentation: 2.2+engl.2+bcl.2+contra / 4.2.2.0 / timp+perc / vn solo / str

​Copyright Status: Protected by the Australian Music Centre

Concerto for Violin and Orchestra

Joanna Bruzdowicz (1943-2021)

About the Composer: Joanna Bruzdowicz was a Polish pianist, composer, and author who worked throughout Europe. She studied in Paris with Olivier Messiaen and Nadia Boulanger in the 1960s, at which time she also co-founded the Groupe International de Musique Electroacoustique. She moved to Belgium in 1975 and began to combine her composition work with her interest in television and radio broadcasting. She also promoted Polish music within Belgium and founded the Belgian Chopin and Szymanowski Society in 1983.

Year Published: 1975

Commission: Radio France

Premiere: February 11th, 1978 with violinist Jean-Jacques Kantorow and the Orchestre Philharmonique de Radio France, under the direction of Alain Savouret

Instrumentation: 3.3.3.2 / 4.2.2.1 / pn+cel / hp / vn solo / str

​Copyright Status: Published by Choudens Editeur de Musique

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Graal théâtre

Kaija Saariaho (1952-2023)

About the Composer: Kaija Saariaho was a Finnish composer who spent most of her career in Paris. She began her studies at the Sibelius Academy with modernist Paavo Heinen, then moved to France to study at the Institute for Research and Coordination in Acoustics/Music (IRCAM). Saariaho was inspired by French spectralism and worked primarily with tape and electronics while at IRCAM. She also developed techniques for computer-assisted composition, which helped her more accurately explore the continuum of sound and develop her own approach to harmony.

Year Composed: 1994

Commission: BBC and VARA Radio 4, Netherlands

Inspiration: The title is directly drawn from a book of the same name by Jacque Roubaud, which served as inspiration for the piece.

Premiere: Gidon Kremer with conductor Esa-Pekka Salonen and the BBC Symphony Orchestra at the London Proms in 1995

Reduction: Saariaho arranged a new version of the work for chamber orchestra, which was premiered in September of 1997 by Finnish violinist John Storgårds with the Avanti! Chamber Orchestra conducted by Hannu Lintu.

​Copyright Status: Published by Chester Music Limited

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Three Curious Loves

Isidora Žebeljan (1967-2020)

About the Composer: Isidora Žebeljan was a Serbian composer, conductor, and pianist who performed with several notable ensembles, including the Academy of St. Martin in the Fields and the Brodsky Quartet. She attended and eventually taught at the Belgrade Music Academy, where she was a professor of composition. Žebeljan was made a member of the Serbian Academy of Science and Arts in 2006 and a member of the World Academy of Art and Sciences in 2012.

Year Composed: 2017

Commission: Stift Festival with the support from the Eduard van Beinum Foundation

Dedicatee: Daniel Rowland

Premiere: Soloist Daniel Rowland with Stift Festival Orchestra and conductor David Cohen on August 24th, 2017

Copyright Status: Published by Donemus

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